âPride and Prejudiceâ by Jane Austen and âBridget Jonesâs Diaryâ by Helen Fielding

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- Category: Pride and Prejudice Short Story
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Order NowFor my wider reading assignment for GCSE, I have chosen the novel âPride and Prejudiceâ by Jane Austen as my pre-1914 novel and âBridget Jonesâs Diaryâ by Helen Fielding as my post-1914 novel. The main focus of my comparison, will be âWomenâs social depictionâ .
The reason for my choice of novels, relating to my topic, is fairly simple. Both novels have a heroine as the main subject, both are centred very much around this one heroine, and both go into great detail about the heroine and her state of mind in various points throughout each novel. This, of course, is necessary, as the subject of my comparisons will be the heroines, and how they are represented.
The novel âPride and Prejudiceâ is very well known, and is considered one of Jane Austenâs finest pieces of writing, a classic in every way. So when I chose this book, I had a fair idea of what to expect. Before hand, all I knew of this novel, was that it was a love story, with an unexpected twist. So going into the book, I had some fairly prejudiced notions, knowing that it was a romance story, I was expecting a drawn-out tale of âyoung loveâ with plenty of angst and picturesque scenes.
Similarly, I also knew that âBridget Jonesâs diaryâ was a romantic and humorous novel that also contained feminist themes. Judging from the genre, I thought that this book would contain lots of âlovey-doveyâ scenes, and plenty of cracks at men.
I knew that the main genre for both novels was romance, so I was expecting both to contain more or less the same plot with only minor adaptations to the story so that they could be called âoriginalâ. The whole âromanticâ genre is generally considered to be one aimed at women, and this opinion may be held partly responsible for the stereotyping of all women as being âhopelessly romanticâ. This affected me greatly when I chose my topic and books, because I wanted to choose a topic that would introduce me to a relatively new genre (for me). When a reader picks up a book that is considered part of the âromanticâ genre, you develop certain expectations of the genre as a whole. The reader expects a âsappyâ plot line, a female lead character, and a happy ending. So when you come across a book that âbreaks the mouldâ so to speak, it is regarded as something special. This is why I chose âPride and Prejudiceâ and âBridget Jonesâs Diaryâ, as I knew that both are highly regarded.
Although both books are similar, the authors themselves are very different. Jane Austen was born on the 16th of December 1775 in a small village called Steventon near Basingstoke. She was the seventh child of the rector of the parish, and lived with her family in Steventon until they moved to Bath. Her father retired in 1801 and died soon after in 1805. Jane Austen died on the 18th of July 1817.
Knowing these basic facts it is already easy to see where Austen may have drawn inspiration from for her novel, âPride and Prejudiceâ. In her novel âPride and Prejudiceâ, she is writing about a large family very similar to hers. The heroine of her book is the fifth daughter of a family with very similar social standing to her own. Knowing of the circumstances and settings Jane Austen was in when she wrote the book makes it much easier to observe what may have influenced her in its writing. In all of her books, she is well known for giving her characters happy marriages, so it is already well established that she prefers to write of blissful romance and contented marriage. She is also said to have written âburlesques of popular romancesâ as a child, which shows that romantic notions were heavily involved in her younger life, and this is probably why she writes so many romance novels.
If you look even closer at the sort of settings Jane Austen grew up in, it is very clear to see how she might have been such a fan of the romantic genre. At the time, women were only considered good for bearing children, and when a daughter is born to a family, their first concerns must concern her wedding off to an eligible bachelor. So with all the pressure on a girl to get married from her parents and family, it is only normal for her to think more and more of romance. Also, if you consider Jane Austenâs social standing, it would not have been thought that she could have married a man of âhigh standingâ, so she may have read popular romance as a means of âescapismâ for her. This becomes quite clear, when she creates perfect marriages in every book, but especially in âPride and Prejudiceâ, where she creates the perfect marriage that every girl dreamed of.
Helen Fielding however, grew up in much different circumstances. She was born in Yorkshire and later moved to London before going back and forth between London and Los Angeles. Obviously, living in such hectic surroundings has manifested in her writing, and it shines through especially in âBridget Jonesâs Diaryâ. In âBridget Jonesâs Diaryâ, her heroine is a âthirty-somethingâ woman who goes by the name of Bridget Jones (obviously). Living in a time when feminism is rife, I would have expected her book to be just about male-bashing, pointing out the âsuperiorityâ of women etc, and basically aimed at telling men just what is wrong with them.
So, although the book does contain some feminist themes, it also deals with the more âclassicalâ romantic themes. It is clear that she was heavily influenced by the work of Jane Austen, particularly âPride and Prejudiceâ she even goes so far as to make several references to the book, and the plot is very similar, with only a few âtwentieth century amendmentsâ. The plot, in fact, is remarkably similar, so much so that it reads as a sort of âmodern Pride and Prejudiceâ. Also, taking into consideration the time in which Helen Fielding has grown up, it is easy to see where she draws inspiration from for her novels. Many of the themes she has in her book are quite adult, and with the recent âloweringâ or morals that has come about in the late twentieth century, these themes are becoming more commonplace, just as Jane Austen was influenced by her surroundings, so was Helen Fielding.
âPride and Prejudiceâ is set in rural England, in a similar time period to Jane Austenâs, with the same sorts of social rules and expectations. As such, it can seem like a very alien and austere world to many present day readers. There is a very strict formality placed on all but the most informal of meetings, and even then there are still procedures to be followed. However, there is much natural beauty in this world, and the occupants are far more determined to enjoy it than many people in the present. Leisurely tours around the country, simply to admire the scenery are far more commonplace, and people would go for early morning walks âamongst the lush and verdant greeneryâ almost daily. Indoors and at social gatherings however, it is a very different story. There are formalities for everything, and if these formalities are not observed, then the person who disobeys them is ridiculed. It is a world that places much on social rank, and family connection. The people in this world are far more prejudiced, preferring only to mingle with those on similar standing to themselves, a very âimperialisticâ way of doing things.
The attitudes are very similar to those of early Victorian times, when the rich spent most of their time in the countryside, preferring to enjoy nature rather than live in the polluted and over-populated cities. Conduct and etiquette also have great importance placed on them, there are many rules laid down for conduct, especially that concerning love. If a man was interested in a woman, he would declare his âhonourable intentionsâ first to her family, then her, before courting her for a set period of time. Sometimes the woman had no choice in matters of marriage, if her family deemed her marriage to be beneficial, then they could apply great pressure on her to force her to marry. In the world of âPride and Prejudiceâ freedom to a set extent is frowned upon, and daughter are expected to be completely obedient to their parents.
Compared to this, the world of âBridget Jonesâs Diaryâ is almost like anarchy. Set in the modern world, all ârules of courtshipâ are gone. Instead, romance between two people comes about through a lot of second guessing and subtle dropping of hints, as is displayed in âBridgetâsâ attempts to âcourtâ her boss. Gone are all the formal rules, and social guidelines. In this new setting, women have a much greater degree of freedom, yet they still act like they are being oppressed, and it has given rise to the whole âfeministâ movement. Attitudes are very different, people are much more liberal when it comes to romance, with the causal âone night standâ embodying this feeling, pretty much. Now, personal wealth plays a much more important role in determining social status, and having a âcoolâ job plays a part in that too.
A lot more importance is also placed on physical appearance, with very few people having titles anymore, regality is no longer an issue. All in all, social attitudes are now far more lax, with a general demoralisation of just about everything compared to the world in âPride and Prejudiceâ. Setting aside the change in social trends, the physical world itself is also very different from that in âPride and Prejudiceâ. Now most rich people live in the very middle of the major cities, London being the largest and most popular. Most people have tended to leave the countryside behind, and it has generally been taken over for industrial purposes. There are still small villages in the countryside, but these are no longer considered to hold great importance, the main emphasis is now placed on the cities.
The two main characters in âPride and Prejudiceâ would have to be âElizabeth Bennetâ and her future love âMr.Darcyâ. We first hear of Elizabeth in the opening passage, through the words of her father. We learn that a very rich and eligible bachelor has recently moved into Meryton (the place of residence for the Bennets) and that Mrs Bennet would like to introduce her daughters to this new bachelor in the hopes of making a future match. However, Mr Bennet would have no place in this, though he does add that he âmust throw in a good word for my little Lizzyâ. This already tells us that Elizabeth, or âLizzyâ is very dear to her father, despite the fact that he gives her preference over his other five daughters, he also has an affectionate pet name for her. However, we soon learn that her mother has no such feeling for her, adding âI desire you do no such thingâ stating âLizzy is not a bit better than the othersâ. But her father comments on his other daughters saying âthey are all silly and ignorant like other girlsâ but exempts Elizabeth by saying âLizzy has something more of quicknessâ implying that she is clever and quick-witted.
Such a recommendation does put the reader into a positive mind about Elizabeth. The novel draws you on, as the reader waits to see what this âwonderful childâ is like. We soon learn that Elizabeth is a considerate daughter, and holds good faith with everyone. We have an example of this when she says âMrs Long has promised to introduce himâ but her family is far more sceptical, commenting on Mrs Long as a âselfish, hypocritical womanâ, and add that they do not believe Mrs Long ever intended to do such a thing. We also learn that Elizabeth is not shy of social gatherings either, when she casually comments that her next ball is to be âto-morrow fortnightâ. Further examples of Elizabethâs good nature are provided at the ball, when, though Darcy offends her, she chooses not to retaliate, simply stating later âI could easily forgive his pride if he had not mortified mineâ. To me, this line shows me that while Elizabeth is very forgiving, she also has her own pride, and will not simply stand to take offence.
The first impressions that the reader is given of Elizabeth Bennet are intended to show her in a very positive light, and help the reader identify with her. Mr.Darcy on the other hand, is intentionally shown in very bad light at the start. The first impression of Darcy shows him to be very eye-catching, stating that upon his entry he âdrew the attention of the roomâ. He is described as a âfine, tall person with handsome features and noble meinâ in addition to having an income of âover ten thousand a yearâ a large amount for the time. He is shown as a perfect gentleman at the start, soon earning the admiration of all present at the ball, and the reader. However, he soon is shown to be extremely âproud, to be above his company, and above being pleasedâ. He is shown to have the kind of manner that is pleasurable to detest. His arrogance is further accentuated by his cruel remarks on the company present, stating he would not dance with any of the local girls, claiming he would find it a âpunishmentâ for him to do so. He also insults Elizabeth, a character whom the reader has come to like and identify with. So when Darcy makes remarks about her, saying âshe is tolerable, but not handsome enough to tempt meâ the reader begins to develop a loathing for Darcy and his arrogant demeanour.
In âBridget Jonesâs Diaryâ, there is only one main character which is, of course, Bridget herself. The novel begins with a look at her New Yearâs resolutions, which involve promises to herself to âstop smokingâ and âDrink no more than fourteen alcohol units a weekâ. These two resolutions already give the reader a pretty strong impression of the kind of person Bridget is, especially as she has to mention these items twice on her list of resolutions. Other resolutions also include âForm functional relationship with responsible adultâ and that she must not âobsess about Daniel Cleaver as pathetic to have crush on bossâ.
From this the reader learns that Bridget has some pretty big problems! She has a âcrushâ on her boss, has to keep reminding herself to stop smoking and drinking too much, and she is constantly trying to find a âresponsible adultâ. For me, I see Bridget as part of the âself-improvementâ type of people, especially when she adds that she must âgive proportion of earnings to charityâ and âgo to gym three times a week not merely to buy sandwichâ. The book begins with Bridgetâs diary for the first of January, where she starts with a list of everything she has consumed, how many cigarettes she has had, and how much she weighs. We can already tell that Bridget is not going to keep to her self made âresolutionsâ as she claims âalcohol units 14 (but effectively covers 2 days as 4 hours of party was New Yearâs Day). Bridget is introduced to the reader in this first diary entry as being quite irresponsible, she has problems with keeping her own promises, and tends to âbingeâ on cigarettes and drink.
In âPride and Prejudiceâ Elizabeth is presented to the reader as a kind, caring, thoughtful and intelligent young woman. Jane Austen always writes to put her in the best possible light, and always uses positive words about her. For example, when she learns that her sister, Jane has become ill at a friendâs house, Elizabeth insists on walking through three miles of wet, damp countryside to reach her sister, for she says âthe distance is nothing to one who has the motiveâ which makes me believe that she is very strong willed. When she does reach her sister, she cares nothing for her appearance, something, which would have shocked many early readers, and instead asks straight away to see her sister. She is also very modest in taking praise, claiming âI do not deserve such attentionâ. In one scene, where her mother begins to talk in quite an offensive manner about Darcy in front of a gathering, we see that, although she does not like Darcy, Elizabeth still respects him and tries âin vain to restrain her motherâ with âgentle words of cautionâ. In all the scenes with Elizabeth, the reader is always meant to respond positively to her.
Jane Austen achieves this by making sure that Elizabeth is described using soft toned words like âelegantâ and âgracefullyâ and by giving her a very positive attitude. She also builds on Elizabethâs character through the words of other characters in the book. Her sisters comment they have never heard her âspeak ill of another personâ in her whole life. Even her casual acquaintances say she is âquite the most talented girl⊠I have metâ. We are also made to sympathise with her, through her problems with Darcy. It begins when he insults her, and this is designed to make the reader feel that bit closer to Elizabeth, as we distance ourselves from Darcy. Every aspect of Elizabeth Bennet is written to make her a very pleasant character to read about. Descriptive words are chosen with care when describing her, soft tones and elegant words are used, which is designed to make Elizabeth seem more like the words used. Situations that she is placed in are also geared to have similar effect, when she is criticised by other characters, the reader feels closer to Elizabeth, and distances him/herself from the protagonist.
On the other hand, Bridget Jones is shown to be a completely different person. She is portrayed as a heavy smoker (only when she is depressed⊠which is quite often), and she drinks a lot. We also see that she finds it hard to keep promises and is quite irresponsible. The first thing in the novel, is Bridgetâs list of New Year Resolutions, but already by her first diary entry she has already broken some of her resolutions, by drinking her âweekly allowance of 14 alcohol unitsâ in one day, but makes the excuse that it is alright because four hours of her drinking âbingeâ was on a different day. The reader also learns that Bridget is incredibly sarcastic, but only in her mind. When she is speaking to her mother over the phone, she begins thinking to herself that her mother is being incredibly obvious that she wants Bridget and a man called Mark Darcy to get together at âUna Alconberryâs Turkey Curry Buffetâ, and halfway through this conversation, Bridget ends up thinking âwhy doesnât she just say âDo shag Mark Darcy dear, he is awfully richââ.
While Bridget is shown as a very reserved person when talking to others, when she writes in her diary, she has no problems expressing what she was thinking. The general impression that we have of Bridget, is of a woman with quite a hectic lifestyle. Around a third of the way through the book, she leaves her current job because she cannot stand her boss anymore, which does show me that she will not simply put up with people she does not have to. I found that Bridget is occasionally quite depressed, especially when she is concerned with love. But with that aside, she tends to lead an over-active life, and I see her as a typical example of âpop-cultureâ the kind of person who always tries to make vain improvements to herself, and her âsoulâ. The reader does feel sorry for Bridget however, especially considering her incredible misfortune, and incredibly smothering mother. Helen Fielding also writes in a very personal style to make Bridget more endearing to the reader, and some of the situations that Bridget ends up in (when she shows up for a formal party dressed as a playboy bunny) are written with plenty of strong words like âdismallyâ and âeuphoricâ to the extent that the reader begins to feel the embarrassment that Bridget feels.
Although both books have a similar plot, the authors themselves use very different techniques. In âPride and Prejudiceâ, Jane Austen writes in a very formal manner, exchanges between characters rarely flow with emotional words, and descriptions are very regulated. Jane Austen writes in a very linear way, she involves no scenes in the past, nor anything else overly distracting from the main story, which I think, helps it to run its course far more smoothly. The way that Austen has structured this book means that each topic leads to another relevant topic, which helps to make the novel progress so much more smoothly.
Austen writes the book in a third person perspective. This helps to achieve a feeling of greater knowledge, the reader becomes aware of more than just what one character sees. Austen uses this to provoke emotional responses in the reader, it works especially well when she has other characters criticising Elizabeth âbehind her backâ this provokes a strong sense of dislike for the character being judgmental. The use of third person in this book works better than if Austen had used first person, with third person she is better able to impart a feeling of greater knowledge and can give far more accurate descriptions.
In âPride and Prejudiceâ there is not a large amount of emphasis on setting, the book is more concentrated on building character. As such, the dialogue used in the book plays a large part in contributing to this. The reader can only determine so much through a description of the character, but when you closely examine the way that character associates with others, the reader can find out ore about the character. As the novel was written in 1813, the language used is very formal, and some readers may have found difficulty in understanding everything that was said. However, the use of formal language builds a well-educated image for all the characters in the book for example âyou are charmingly groupâd and appear to uncommon advantageâ is a typical line of the main character, Elizabeth Bennet.
Austen uses this kind of language a lot more for her dialogue, to make the heroine of her novel appear well educated and cultured. On the occasion when she provides an introductory description for a character she uses words carefully chosen to suit the characterâs personality. When first introducing Darcy, he is said to be âof noble meinâ which indicates to me that he possesses noble features, suggesting he is good looking, but that he is also proud. In her use of dialogue, Austen is equally skilled, when she writes dialogue for Elizabeth, she tends to select words that reflect her nature, âwhat you ask ⊠is no sacrifice on my sideâ is another comment typical of Elizabeth, and helps to build on her image of a kind, self-sacrificing personâ.
Austenâs use of symbolism is hidden deep within her subtext, and the casual reader would probably not even notice it consciously, but if the reader looks for it, it is there. Austin mainly uses the situations in her book to parallel ones from her time, she also writes in a manner that ridicules some of the stricter formal proceedings of her time. Most of Austenâs symbolism comes at the end of the book when most of the conflicts and social disharmony is resolved. Lady Catherine is meant to represent the older generation of nobility, with their resistance to change in the ways of society, so when her plans are âthwartedâ as it were, Austen uses this to represent an inevitable change in the ways of society to the reader. Austen uses characters to represent different sections of society, and the attitude of that person, and what befalls them represents Austenâs own feelings towards that particular section of society.
In âBridget Jonesâs Diaryâ, the text is structured in a straight forward manner. Because it is written in diary form, all events are recorded in the past. This achieves a sense of premonition in the reader, because each entry usually starts with something on the lines of âUgh. Wish I were dead.â Which leads the reader on to wonder what could make Bridget think in this way.
âBridget Jonesâs Diaryâ is written in the first person perspective in the past tense. This makes the reader feel more knowledgeable about Bridget and her situation, because whatever she writes, we know that it has already passed and been resolved. The use of first person makes the reader feel closer to Bridget, as we experience things through her eyes, and so the first person really helps the reader to identify with her. The use of past tense is useful for leading the reader on, whenever Bridget starts a diary entry with âThe greatest thing ever has happened to meâ or a sombre âMy life is overâ, the reader wishes to know what has happened and so keeps on reading.
Helen Fielding uses plenty of âbluntâ descriptions ie; she does not restrict what Brdiget happens to write in her diary, for example âHe might be a good shag I supposeâ. This lets the reader know that Bridget is not someone who has been sheltered from âthe harsh realities of lifeâ but is well aware of modern ideas. She also puts Bridget in some of the most inopportune situations that I have read in a long time, again, this builds on the impression that Bridget also tends to have bad luck. However, when Bridget speaks, we see that she is quite shy around people whom she does not know (when she isnât drunk of course). When she is first introduced to Mark Darcy (her future love) she finds herself being lead on and simply answering with âI do indeedâ. Helen Fielding has chosen to use words that could be considered offensive deliberately to emphasise Bridgetâs personality as someone who is well aware of the world. She builds on this by placing Bridget in âsituations from hellâ and demonstrating to the reader how, though Bridget becomes fazed by these, she recovers and moves on. Helen Fieldingâs choice of descriptive words is also interpreted through Bridgetâs âmindâ and so all descriptions not only provide information, but also an insight into Bridgetâs character.
Again, like Jane Austen, Helen Fielding uses characters from her book to represent social groups in real life. The character of Daniel Cleaver represents âchauvinisticâ men, and Helen Fielding uses him to send a message to âchauvinisticâ men, about what women think. Mark Darcy, on the other hand, is meant to represent the âperfect manâ, and is supposed to be a role model for other men to follow. Bridgetâs friend âSharonâ is a representation of âfeministsâ, and Helen Fielding uses her to ridicule the more âextremistâ feminists, by showing her to be completely obsessed with not obsessing about men. Bridgetâs mother is the representation of every overbearing and irrepressible mother, she constantly tries to run Bridgetâs life and Helen Fielding makes a point through her to all mothers like this to stop ânaggingâ. Finally, Bridget herself is every single woman âin her thirty-somethingsâ who suffers from all of the above. Helen Fielding uses Bridget to provide a light and humorous way of looking at a situation through someone elseâs eyes.
In âPride and Prejudiceâ I found the meeting scene between Elizabeth Bennet and Darcy to be a good showcase of the techniques used by Jane Austen throughout the book. The scene starts with the introduction or Mr.Darcy as a âfine gentlemanâ of ânoble meinâ and was pronounced as âa fine figure of a manâ, the reader also learns that he is incredibly rich, having âten thousand a yearâ. But the reader soon learns with disgust that he is âincredibly proudâ and deemed âto be above pleasingâ. Austen achieves this affect by first leading the reader to believe that he is a good person, a perfect match for the heroine whom the reader has come to like. But when he is declared to be proud, the reader begins to dislike him. Austen uses him as a stereotype of the rich, aloof aristocracy, the kind whom everyone dislikes and enjoys hating. Austen uses stereotypes a lot in âPride and Prejudiceâ to provoke set responses from the reader. She also overshadows Darcy with his friend Mr.Bingely who is described as having âa most pleasant countenanceâ. Jane Austen writes this passage with a lot of description, and only a few lines of dialogue. To this effect, she uses plenty of descriptive words.
When she does use dialogue in this scene, it is typify a character. Bingely is represented as being amiable and good mannered, and so when he speaks, it is with expected good will. Darcy however, is shown to be reserved and moody, and so it is shocking, but typical of him to say of Elizabeth âshe is⊠not handsome enough to tempt meâ. This creates an air of resentment for Darcy with the reader, and Austen exploits this by following up with similarly toned expressions such as âI am in no humour to⊠to give consequence to young ladies who are slighted by other menâ, which gives him an attitude that decides the readerâs mind that he really is âmost disagreeableâ. Austen emphasises this by describing with similarly emotive words what other characters at the ball felt, adding âamongst the most violent towards him was Mrs.Bennetâ and âdislike of his general behaviour was sharpened into particular resentmentâ, use of onomatopoeic words like âviolentâ âsharpenedâ and emotive words like âresentmentâ all help to accentuate bad feeling in the reader against Darcy. Austen uses this first passage with Darcy to turn him into âthe bad guyâ in the start, which set him up to later become âthe good guyâ after being changed by his love for Elizabeth.
The meeting scene between Helen Fieldingâs âDarcyâ and her main character Bridget Jones, is very different from the one in âPride and Prejudiceâ. It is written in the past tense, and so Helen Fielding adds plenty of humour to the scene to keep it interesting. She introduces âMark Darcyâ (coincidence?) to the reader as awkward and dull. The reader sees Darcy through Bridgetâs eyes, and unfortunately for him, she finds him incredibly dull. He is introduced wearing âa diamond patterned yellow and blue v-neck jumperâ the sort, as Bridget incisively thinks âis favoured by the nationâs more elderly sports reportersâ.
This is a typical example of how Helen Fielding has written her book, she inserts witty comments into the book to lighten the tone, and makes the reader more appreciative by making you actually laugh. Like Jane Austen, she uses dialogue spoken by the characters to state about them what Bridget herself does not. As such, Darcy begins the conversation with an awkward âI, Um, ahâ and settles with âhave you read any good books latelyâ followed with the expected witty comment by Bridgetâs mind âOh for Godâs sakeâ. Helen Fielding uses plenty of words without censure in order to impart a far more âreal worldâ feeling to her novel. Words and phrases that would actually be used in normal conversation are commonplace in the whole novel, things like âsmokers are on a smoking roll, and cannot be expected to stop abruptly on New Yearâs Dayâ. All the things mentioned in âBridget Jonesâs Diaryâ are topics that people can really relate to, and so Helen Fielding makes sure not to go too far off topic in what Bridget says and does.
Comparing the two different meetings from the books, it is plain where Helen Fielding has drawn inspiration from. The two scenes are remarkably similar, with only the characterâs roles being reversed, with Bridget becoming the âDarcyâ and âDarcyâ becoming a meeker Elizabeth. Austen only uses informal language in âPride and Prejudiceâ with everything being treated with seriousness. Helen Fielding uses humour a lot more, and rarely has moments of formality in âBridget Jonesâs Diaryâ, I would put this down to the fact that, while both books are similar in terms of plot, tastes in readership have changed and people now want something which provides âcomic reliefâ.
Jane Austen depicts her heroine in the perfect marriage in âPride and Prejudiceâ. She provides a good insight into peopleâs ideas of what a heroine should be, an what people want for that heroine. âPride and Prejudiceâ is acclaimed as Jane Austenâs most pleasing book. She gives her heroine a perfect marriage, and makes sure that all the âloose endsâ are happily tied up. Her heroine is well educated, and is depicted as being witty, charming and kind. This is really the âmouldâ for a heroine, a reader would expect a heroine to be all of these things, and that is what Jane Austen provides for the reader. Helen Fieldingâs heroine is not exactly standard heroine material compared to Elizabeth Bennet. Bridget Jones smokes, drinks, has serious emotional problems, and is generally a bit of a âclutzâ. Yet, she is still a satisfying heroine to read about. I think this shows you just how broad the definition of a heroine can be.
It can also be put down to the time periods that a book is written in. A heroine written for the 19th century was expected to be the perfect woman, well accomplished, beautiful and caring, a character such as Bridget Jones would never have been accepted. But a modern heroine can be depicted as many things. Of course, the âElizabeth Bennetâ style heroine is popular as always, but a new brand of heroine is also emerging, a heroine who does not have to be the perfect woman. I think this reflects the way society today has changed to be more accepting and less judgmental. In the future, we may see a more radical change in the style of heroine, the âanti-heroineâ is quickly becoming popular amongst readers, and may soon gain widespread popularity in the near future.
In conclusion, I would say that both books are creations of genius, and both impart an important message to the reader. Both books show the reader that happiness takes importance over all the trivial details of everyday life. Jane Austen teaches us that life is not just about how far you can get, it isnât about titles, money or social status. âPride and Prejudiceâ shows the reader that some things are more important, in her words âhappiness is worth reaching for, no matter whatâ. I found âPride and Prejudiceâ to be an interesting, if complicating, novel that enlightened me greatly on the topic of happiness âand how it might best be achievedâ. Austen writes in an involving fashion, and creates characters that are easily liked to draw the reader in.
Helen Fielding also writes about the same topic, if in a different way. âBridget Jonesâs Diaryâ may seem to be a âgirlyâ book, but it is really very interesting, and is an intelligent piece of comical writing with an edge of satire. Helen Fielding creates characters that the reader can easily identify with, and keeps the reader interested with a twisting plot line and comical situations. Overall, I would recommend âBridget Jonesâs Diaryâ to most readers as a good laugh, with an important sub-textual message that happiness is what you make it. âPride and Prejudiceâ would also come recommended, but only to more advanced readers, as the language is complex and the underlying message is well hidden. Still, I think both books teach the reader something important and are both worth reading.